Just a guy jumping from a hot mess into more prosperous waters.
My guess is search for toddlers, whose parents handed them a phone to keep busy while they rest or do something else. They’re the only demographic that does not know how to spell, or knows too few words to search effectively. But considering the American education system this could also apply to students who are illiterate despite completing the grade every year.
As someone who has spent their life translating for family this isn’t surprising. Nor is it any easier when they bring me poorly translated documents and hope I decipher machine diarrhea. The tech is still years behind being real world ready, especially with anything above 6th grade grammar and nuanced word choice that depends on context and sometimes dialect. But free is free so 🤷
The missing factor is intent. Make a random image, that’s that. But if proven that the accused made efforts to recreate a victim’s likeness that shows intent. Any explicit work by the accused with the likeness would be used to prove the charges.
Reading these comments has shown me that most users don’t realize that not all working artists are using 1099s and filing as an individual. Once you have stable income and assets (e.g. equipment) there are tax and legal benefits to incorporating your business. Removing copyright protections for large corporations will impact successful small artists who just wanted a few tax breaks.
Found an earlier article by El Observador before the legislation passed. Under Uruguay’s old laws Spotify, YouTube, an other streaming platforms paid little to nothing in artist royalties. With the new legislation artists will now see fair compensation.
The Guardian does a better job explaining Spotify’s problem: do the royalties come from rights holders (I am assuming they’re referring to record labels) or the streaming services? The later case they believe will cause them to pay double what they’re paying for streaming rights.
The issue just needs to back to Uruguay’s government to sort out who pays the artist royalties, or if both labels and streaming share a proportionate responsibility.
Fixing requires readers support their preferred news outlets with subscriptions. Currently headlines need to drive the ad machine if the lights are going to stay on. Challenging the ad buyer’s main revenue stream is not financially viable. It’s the main reason news outlets do not want to touch Medicare For All, pharmaceutical ads are big money makers. Money in politics is a no-go because it’s a guaranteed cash infusion every two years, not to mention the overlap with other ad buyers. Decoupling the ads from the main revenue gives media outlets the freedom they need to address the news as they seem fit.
Not really, we’re dealing with a city that slides between 15~23% voter turn out with a bias towards older voters who previously leaned center/center right. So even if 4 in 10 of the total population dislikes the incumbent, the odds were still in their favor due to self selection and name recognition. For the challenger to get over 30% on the first try shows our previous mayor was already experiencing dissatisfaction from swing voters.
At least that’s how it was in 2016, as of 2022 we now have a progressive super majority on city council plus the mayor.
As a Californian and with regards to Pelosi that blame is on us–the voters. Incumbents with mediocre records can still win reelection on name recognition alone. Getting progressive challengers in California isn’t hard. But getting progressives that can build their brand and base to a competitive size to match incumbents, while surviving the mudslide of bad press from establishment outlets? That’s hard.
Hell, my home town despised the previous mayor. Still won his reelection in 2016 by nearly 2/3rds despite a progressive challenger who has been active in city politics and community outreach for over a decade. Had to wait until he termed out in 2020 before we could get the current progressive mayor in office.
Let’s break down some of the confusion you’re experiencing.
If you want to learn more you can google “photography usage rights” or “photography license agreement” and deep dive the untold number of blog posts about it. You can check out this blog post for a crash course if you need good starting point.
If books are more your fancy there’s Nancy Wolff’s The Professional Photographer’s Legal Handbook and the American Society of Media Photographer’s Professional Business Practices in Photography; both are pretty old but a very easy to understand. John Harrington’s Best Business Practices for Photographers also goes into detail and is more recent, but very broad in what it covers. Technically, there’s the demo for fotobiz X which will let you make a sample contract from their templates.
I’m sure you’ll find more resources but these books were my go-tos when I was working as a photographer. If you feel like socializing you check out your local APA (American Photographic Artists) or ASMP (American Society of Photographic Artists) chapters. Not sure if membership is still a requirement for attending events but it doesn’t hurt to ask.
They do have intelligence, but that intelligence is deliberately underfunded to prevent this very situation. It’s impossible to navigate the mountains of paperwork and legal loopholes the ultra-wealthy use with so few hands. That’s why poorer filers get audited more often: less leg work, easier wins, at the expense of real revenue and justice against tax evaders.
Said it before, I’ll say it again:
It’s been shown the software is still not ready for production by interfering with emergency services, public transit, and normal traffic. These companies need to send these vehicles with a driver until the software is ironed out. We suspend human drivers for such actions. We must extend the same expectations and consequences to driverless vehicles.
If a human driver blocked an ambulance and caused a patient death, they’d be imprisoned for wrongful death. Cruise wants to roll out their software in this state, let them shoulder the legal and financial consequences.
That’s how I understood it as well. Feels like most mandates have nothing to do with company culture and more to do with commercial property expenses/investments.
Elon: “There are too many fake accounts for me to seriously consider buying this company.”
Also Elon, after creating millions of inactive accounts to follow himself: “Please clap.”
They’ll have to find the tools that will help them detect AI works. However, the current standard they’ve set is that once they learn its AI generated the work is no longer protected under copyright law.
Keep the deck, I want those controllers.
Every time I see this argument it reminds me of how little people understand how copyright works.
The crux is fair compensation. The rights holder has to agree to the usage, with clear terms and conditions for their creative works, in exchange for a monetary sum (single or reoccurring) and/or a service of similar or equal value with a designated party. That’s why AI continues to be in hot water. Just because you can suck up the data does not mean the data is public domain. Nor does it mean the license used between interested parties transfers to an AI company during collection. If AI companies want to monetize their services, they’re going to have to provide fair compensation for the non-public domain works used.
This is a scam as old as time. An old professor of mine did the math, realized buying a new bottom tier printer was cheaper than buying its corresponding refills. Her husband was understandably furious at the stack of pristine printers pilling up in the garage.
While you do save money on ink for larger printers (laser/pro photo inkjet) you are losing a lot of money just to start up. Its also worth noting that liquid ink has a shelf life, drying out, hardening, and a hassle to clean out if not used.
On an interesting note: the EcoTank system is a reversal of the Stylus Pro and SureColor tank system. Instead of slotting in a fresh tank, you’re just pouring a bottle into a permanent tank. Good to see Epson taking a practical and consumer friendly approach.
I recommend checking out Greth’s videos on the current state of the game. He’s an experienced player so his opinions have good reasoning, although I don’t always agree with his views on maps. Personally I’m waiting for them to add 3rd weapon slot and to bring back the Jammer pack. Right now it looks too T:A GOTY for me, which is odd considering that GOTY peaked in 2012; the same year T:A released.